Saturday, June 11, 2011

macbeth- summary and charactor discription

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Shakespeares play Macbeth is considered one of his great tragedies. The play fully uses plot, character, setting, atmosphere, diction and imagery to create an intensely satisfying and compelling drama. The general setting of Macbeth is tenth and eleventh century Scotland. The play is about a once loyal and trusted noble of Scotland who, after a meeting with three witches, becomes ambitious and plans the murder of the king. After doing so and claiming the throne, he faces the other nobles of Scotland who try to stop him. In the play, Macbeth faces an internal conflict with his opposing decisions. On one hand, he has to decide if he is to assassinate the king in order to claim his throne. This would result in his death for treason if he is caught, and he would also have to kill his friend. On the other hand, if he is to not kill him, he may never realize his ambitious dreams of ruling Scotland. Another of his internal struggles is his decision of killing his friend Banquo. After hiring murderers to kill him, Macbeth begins to see Banquos ghost which drives him crazy, possibly a result of his guilty conscience. Macbeths external conflict is with Macduff and his forces trying to avenge the king and end Macbeths reign over Scotland. The play ends in Macbeth’s death, the fulfillment of the witches’ prophecies and the rightful heir crowned king.

Macbeth is first presented as a mature man of definitely established character, successful in certain fields of activity, and enjoying an enviable reputation. One must not conclude that all Macbeths actions are predictable. Macbeths character is made out of potentialities and the environment, and no one, not even Macbeth, can know all of his inordinate self-love. Macbeth is determined by a desire for temporal and mutable good.

Macbeth is driven in his conduct by an inordinate desire for worldly honors; his self-emulation lies in buying golden opinions from all sorts of people. One must not deny Macbeth a human complexity of motives. For example, his fighting in Duncans service is magnificent and courageous. Macbeth also rejoices in the successes that crown his efforts in battle. Macbeths services are also for his own glory. Macbeth says, The service and the loyalty I owe, In doing it, pays itself. While Macbeth destroys Duncans enemies, such motive work but are obscured in his consciousness by more vigorous urges. Macbeth by nature violently demands rewards. Macbeth fights courageously so he may be reported as a valors minion and Bellonas bridegroom. Macbeth values success because it brings fame, new titles, and royal favor. As long as these mutable goods fulfill his desire, which is the case until he covets the kingship, Macbeth is an honorable gentleman. Once Macbeths self-love demands a satisfaction that cannot be honorably obtained, he employs dishonorable tactics to gain his selfish desires.

As Macbeth returns victoriously from battle, his self-love demands recognition of his greatness. The demonic forces of evil that drive Macbeth, symbolized by the witches, suggest to him to obtain the greatest mutable good he has ever desired, the kingdom. The witches observe Macbeths expressions to understand the passions that are driving his dark desires he is so valiantly attempting to suppress. The witches predict Macbeth will be king. The witches cannot compel Macbeth to do evil deeds, but they can use Macbeths desire to become king to pervert his judgment of reason to corral him to choose temporal good. Macbeths imagination and passions are so vivid under these evil impulses that nothing is but what is not. Macbeths reason becomes so impede that he judges, These soliciting cannot be evil, cannot be good. Still Macbeth is provided with so much natural good that he is able to control his imagination and decide not to attempt any act that involves criminal actions. His decision not to commit murder is not based upon moral grounds. As a friend and as a subject, Macbeth has feelings of loyalty towards the king. The consequences Macbeth fears are not completely inward and spiritual. It is to be doubted whether Macbeth ever considers the effects of his crime and the evil upon the human soul, which he later discovers. Macbeths main concern is the consequences of losing the mutable goods he already possesses and values.

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After murdering Duncan, Macbeth, in committing an unnatural act, has to relinquish his soul to the possession of the demonic forces who are the enemy of mankind. Macbeth recognizes the acts of conscience that torture him are expressions of an outraged natural law. Macbeth is then reduced to the ranks of a human. Knowing he is human again, Macbeth becomes pale and works to impede the penalties of natural law and seeks release from this torture, Come, sealing night... And with thy bloody and invisible hand, Cancel and tear to pieces that great bond, Which keeps me pale. Macbeth then conceives that a quick escape from the accusations of conscience may be affected by the precepts of natural law. He imagines that the execution of bloodier deeds will serve his purpose. Macbeth instigates the murder of Banquo in the interest of personal safety and to destroy the final piece of humanity in himself. No peace is gained from the murder of Banquo. Macbeths conscience obliges him to see the negative quality of evil and the barren results of wicked action. The individual who once prized mutable goods in the form of respect and admiration from those about him, now discovers that even such satisfactions are denied to him

”And that which should accompany old age,

As honor, love, obedience, troops of friends,

I must not look to have; but, in their stead,

Curses, not loud but deep, mouth-honour, breath,

Which the poor heart would fain deny, and dare not.”

Macbeth is conscious of a profound abstraction of something far more precious than temporal goods. Macbeth has shrunk to such a little measure that he has become numb to all sense of good and evil. The peace attained from this numbness is psychologically a callousness to pain and spiritually a partial insensibility to the evidences of diminished being. Macbeths peace is the doubtful calm of utter negativity, where nothing matters.

After the external and internal forces of evil have done their worst, Macbeth remains human, and he continues to witness the diminution of his self-being. Sin does not completely deprive Macbeth of his rational nature. Macbeth sins because whatever he does in pursuance of a temporal good, and nothing more than to escape a present evil.

Macbeth never completely loses his freedom of choice. Since a free act is in accordance with reason, as his reason becomes blinded, his actions become less and less free. This accounts for Macbeths actions becoming more controlled as the play progresses, and the final feelings that Macbeth has lost all free will. Macbeth violates his natural law, and his acts establish habits of irrational doings, resulting in the loss of freedom of choice.

The substance of Macbeths personality is that out of which tragic heroes are fashioned. Endowed with potential and under the impact of passions constantly shifting and mounting in intensity, the dramatic individual grows, expands, and develops to a point that at the end of the play he is more understanding of the world and of his own spirituality than at the beginning of the play. Macbeth is bound to his humanity, that reason of order that determines his relationship with natural law, and that compels him toward proper actions and his own end. This natural law provides him with a will capable of free choice, and obliges his discernment of good and evil.

Matthew Harrison Brady is one of the most opinionated men in existence. He has no question in his own beliefs, but many of the beliefs of others. He also will not even accept other beliefs as they may contradict with his own, thus becoming a threat.

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