Tempest

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In The Tempest by William Shakespeare, Miranda exclaims "How beauteous mankind is! O, brave new world that has such people in 't." Prospero comes back with "'Tis new to thee" because he believes that Miranda is inexperienced and disagrees with what she says, as he should. The Tempest is full of evils that Miranda is unaware of, such as betrayal, opportunism, and greed.

Even though the gods frowned upon betrayal of family and deception, these two flaws were seen quite often in The Tempest. The entire conflict of the play revolves around the fact that Antonio usurped the dukedom of his own brother Prospero.

Prospero To have no screen between this part he played/

And him he played it for, he needs will be /Absolute Milan. Me (poor man) my library/ Was dukedom large enough. Of/ temporal royalties He thinks me now incapable; confederates /so dry he was for sway, wi' th' King of Naples /to give him annual tribute, do him homage/ subject his coronet to his crown, and bend/ the dukedom, yet unbowed to most ignoble stooping.

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Miranda O the heavens

Prospero Mark his condition, and th' event, then tell me/ if this might be a brother.

Miranda I should sin/ to think but nobly of my grandmother. / Good wombs have borne bad sons (1..1-14).

Here Antonio is showing his lack of respect toward his direct family. Not only does Antonio betray Prospero through this act, he tries to kill Prospero and his daughter later on.

Prospero Well demanded wench. / My tale provokes that question. Sear they durst not, / So dear the love my people bore me; nor set /a mark so bloody on the business; but /with colors fairer, painted their foul ends. / In few, they hurried us aboard a bark; / bore us some leagues to sea, where they prepared /a rotten carcass of a butt, not rigged/ nor tackle, sail, nor mast; the very rats/ instinctively have quit it. There they hoist us, / to cry to th' sea that roared to us; to sigh/ to th' winds, whose pity, sighing back again, / did us but loving wrong (1..167-17).

This shows how blind Miranda must truly be to believe that humans are good. Her own family member tried to kill her and her father. Poor Prospero was betrayed even again, though this time not by his family. His servant Caliban plotted to kill him.

Caliban There thou mayst brain him, having first seized his books, or with a log batter his skull, or paunch him with a stake, or cut his wezand with thy knife. Remember first to posses his books; for without them he's but a sot, s I am, not hath not One spirit to command. They all do hate him as rootedly as I. Burn but his books. He has brave utensils (for so he calls them)(..7-105).

Is being cruel, murderous, and deceitful something mankind should be recognized for? Or is Miranda just too inexperienced to understand the evil that abounds? Likewise she could not see the evil in being opportunistic.

Many times throughout The Tempest characters used each other to get what they wanted, regardless of the consequences. Prospero was guilty of opportunism. He constantly ordered Ariel around and expected him to do whatever he bid.

Prospero Ariel, thy charge/Exactly is performed. But there's more work. / What is the time o' th' day?

Ariel- Past the mid season

Prospero- At least two glasses. The time 'twixt six and now/ must us both be spent most preciously.

Ariel Is there more toil? Since thou dost give me pains, / Let me remember what thou hast promised/ which is not yet preformed me.

Prospero - How now? Moody? / What is 't thou canst demand?

Ariel My Liberty

Prospero Before the time out? No, more (1..81-).

Prospero clearly shows through this quote that he does not care about Ariel's needs. He just wants Ariel to carry out his duties. Prospero also takes advantage of his slave Caliban in the same way.

Prospero Fetch us in fuel; and be quick, thou 'rt best, /to answer other business. Shrugg'st thou, malice? /If thou neglect'st or doust willingly/what I command, I'll rack thee with old cramps, /fill all thy bones with aches, that make thee roar/that beasts shall tremble at thy din.

Not only does Prospero show opportunism in this example, he also proves that he is without compassion and is not afraid to ignore Caliban's feelings. Antonio and Sebastian were mean and cruel to the Boatswain but still expected him to steer the ship out of the storm so they would not die.

Boatswain Down with the topmast! Yare! Lower, low-/er! Bring her to try wi' th' main course. (A cry/within) A plague upon this howling! They are/louder than the weather or our office.

Enter Sebastian, Antonio, and Gonzolo

Yet again? What do you here? Shall we give o're and/ drown? Have you a mind to sink?

Sebastian A pox o' your throat, You bawling, blasphe/mous, incharibtable dog!

Boatswain Work you, then.

Antonio Hang, cur hang, you whoreson, insolent/noisemaker! We are less afraid to be drowned than/ thou art(1.1.5-46).

Sebastian and Antonio did not care whether they hurt the Boatswain's feelings or whether he lived or died. All they cared about was their own survival. Opportunism, a great sin, was one that was definitely overlooked by Miranda as well as greed obviously was.

Greed is not a trait mankind should be recognized and respected for. In The Tempest, avarice enlaces the plot often. For example, after Prospero abruptly stops the "engagement party" for Miranda and Ferdinand, in remembrance of Caliban, Stephano, and Trinculo's plan to kill him, Prospero lays out royal gaudy clothes in hope that their greed will distract them.

Prospero - The trumpery in my house, go bring it hither/ for stale to catch these thieves…

Enter Ariel with glistening apparel.

Come hang them on this line.

[Prospero and Ariel remain invisible.] Enter Caliban, Stephano and Trinculo, all wet.

Trinculo O King Stephano! O/ peer! O worthy Stephano, look what a wardrobe/ here is for thee!

Caliban Let it alone thou fool! It is but trash.

Stephano Put off that gown, Trinculo! By this hand, /I'll have that gown! (4.1.08-55).

Caliban, Stephano, and Trinculo take the bait. Their own greed led to their downfall. They were unaware of the fact that the regal clothes might be part of Prospero's plan. Caliban in fact thought of this and still ignored it. In the end, dog spirits chased the three away from the party. Another example of greed would be Antonio's and Sebastian's plan to kill Alonso. Alonso was depressed in dealing with the loss of his son, and Antonio and Sebastian brutally attacked him in the hopes of becoming king.

Sebastian Shall be my precedent as thou got'st Milan/I'll come by Naples. Draw thy sword. One stroke/shall free thee from the tribute which thou payest, /and I the King shall love thee.

Antonio Draw together, / and when I rear my hand, to you the like/ to fall it on Gonzolo (.1.-).

Antonio and Sebastian were greedy and needed to become royal no matter what the circumstances. A similar case is Caliban's, Trinculo's, and Stephano's plot to kill Prospero as a means to promote Stephano's marriage to Miranda. Rather than being grateful for Prospero taking pity on them, the three show their greed and plot to kill him.

Stephano Monster, I will kill this man. His daughter/ and I will be kind and queen save our graces! and Trinculo and thyself shall be viceroys, - dost/ thou like the plot, Trinculo? (..116-11).

Killing Prospero will allow reward Caliban and Trinculo to become viceroys. If this does not show greed, what does? Is Miranda oblivious to the greed shown by all of these characters?

Betrayal, opportunism, and greed are traits Miranda should have investigated before saying, "How beauteous mankind is! O, brave new world that has such people in 't." Undoubtedly the world is not as beauteous and good as Miranda perceives it to be. Her own naivete and inexperience flaw her concept of reality.

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