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Monday, May 11, 2020

Alberto Giacometti

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Alberto Giacometti was born October 10, 101, in Borgonovo, Switzerland, and grew up in the nearby town of Stampa. The son of a successful post-Impressionist painter, Giacometti studied painting and sculpture in Geneva, before moving to Paris in 1 (Gohlke 00).


The works of Paul C�zanne and Alexander Archipenko impressed Giacometti. He was also deeply affected by the masterpieces of Giotto and Tintoretto. But Giacometti's early works, however, reflected the influence of African, Oceanic art and Cubism (Bonnefoy 11).


During the 10s, Giacometti came into contact with the Paris avant-garde and became a distinguished figure in the Surrealist group. His first solo exhibition in 1 at Galerie Pierre Colle, confirmed this position as Surrealism's most important sculptor. During this time, many of his works have a nightmarish quality, with evocation of sexual violence and physical confinement (Bonnefoy 11). Examples famous during this time are Woman Having Her Throat Cut and Hands Holding The Void. In 15, Giacometti grew dissatisfied with the purely imaginary aspect of Surrealism, and began working from nature, using people he knew as models. During the early 140s, Giacometti developed a close friendship with Jean-Paul Sartre and Simone de Beauvoir, and became involved with the Existentialist movement. It is during this period that he developed his characteristic style, producing the tall, emaciated figures for which he is best known. Giacometti's haunting sculptures have been described as a perfect metaphor of existential man solitary stripped figures inhabiting a vast and meaningless silent void (Bonnefoy 11). His solitary figures are imprisoned on large bases, and physical decay is represented through the sculptures' gouged surfaces. Man Pointing and City Square are his famous examples portraying these features in bronze.


Around 150, the artist turned with renewed interest to painting and printmaking. His portraits are nearly always frontal views of single immobile figures. Tireless in his efforts to define the human figure, he drew and sculpted the subjects close to him again and again. His brother Diego and his wife Annette, his most constant models, are represented in many of his works during this period (Bonnefoy 11).


In 155, Giacometti was honored with major retrospectives at the Arts Council Gallery in London And the Solomon R. Guggenheim Museum. He received the Sculpture Prize at the Carnegie International in Pittsburgh in 161 and the first prize for sculpture at the Venice Biennale of 16. In 165, Giacometti was also awarded the Grand National Prize for Art by the French government (Gohlke 00).


Giacometti died on January 11, 166, in Chur, Switzerland, with the reputation of being the most important sculptor of the middle decades of the twentieth century.


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