Control or Insanity in Edgar Allen Poe's "The Tell-Tale Heart".

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Poe weld's the full moon at midnight, like a beacon enlightening the truth that lies in the knowledge that madness is created by ones own inability to handle ones reality. When we try to define human nature, we must consider the balance of both good and evil. Many times these qualities exist simultaneously and maintain a balance, but sometimes this stability is lost and the evil side surfaces. In Edge Allen Poe's "The Tell-Tale Heart" possesses many elements attributed to the mentally unstable. Ironically, the greatest indication of sanity is the narrator's raging and deranged language as he attempts to prove his mental stability.

Have you ever wondered what it takes to push someone over the edge? The narrator's obsession with the old man's "Evil Eye"(107) has driven him over that edge. His need to "rid myself of the eye for ever"(106) was how he would regain control over his own mind. But, one could argue that he was stable, due to the fact that it took him eight nights before he rid himself of the eye. He showed "caution-with what foresight"(106) on how he went about to kill the old man. He was "never kinder to the old man"(106) after he made up his "diseased mind" to kill the old man.

For seven long nights "at midnight, when the world slept,"(107) the narrator would make "an opening sufficient for"(106) his head. He did this with "cunning" and slowness, for not to awaken the old man. Yet, he needed to have the "Evil Eye" to be able "to do the work"(107). Did the narrator profusely make noise on the eighth? One would think so, he chuckled and when he went to open the fastening. The old man would not have awakened that night if it were not for these "mistakes".

Poe's setting contributes to the total effect of madness and control in this tale. All the shutters in the house in the house were closed "(through fear of robbers)" (107), so no one could see anything outside in or the inside out. This was scary because no one ever knew what went on in that house except the old man and the murderer. The house was old and creaky, and, during the midnight hours, was pitch black. Because of this pitch-blackness the old man could "feel �although he neither saw nor heard-to feel the presence" (107) of the murderer's head.

One would also question if the murder really heard a heart beating. It is a true mystery surrounding the source of the sound that drove the deranged narrator to murder an old man and subsequently to reveal both the crime and his own guilt to the police. The narrator himself believes the sound to have been the heart of his victim beating even after his dismembered body has been concealed beneath the floorboards of his bedchamber. He describes what he heard or believes he heard, both before and after the murder, to have been "a low, dull, quick sound, such as a watch makes when enveloped in cotton"(108). If in fact he heard something other then his own heart, then what was it? Was it his own guilt over killing the old man that made him believe he could hear this heartbeat?

Poe cleverly uses picturesque wording to make the narrator seem to be confident that he is not mad; however, in reality the narrator is just furthering the burial of the truth. In the opening paragraph you are given a big glimpse into the narrator's madness. "True! nervous-very, very dreadfully nervous I had been and am; but will you say I am mad?" (106). The narrator is constantly trying to reassuring the reader that he is not mad. Poe leaves it up to the reader to decide if the narrator is truly mad or in control of his very action.

This tale is introduced in the state of mental chaos for the narrator, the reader never gets a chance to see if the murderer is mad, or had been driven to that element, because of the eye. This whole tale evolved around the eye. A seeming miniscule part of the body, but apparently enough to drive him deranged. Was the narrator always this unstable or is this a new element? If Poe really did want the reader to achieve satisfaction, then the murderer would not be an exasperated lunatic.

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