Kazimir Malevich in relation to Organizational Communications

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The Push Towards the Subjective

a.k.a. Non-Objective

The corporate world is an ongoing fight towards individual rights and ideas working within the framework of a successful operation. Business is a well-oiled machine, but over the years people have realized that the individual parts have feelings. How do you accommodate these feelings while maintaining the machine as a whole? Therein is the fight and the progression. This fight for rights does not take place only in the working environment. Nor does it take place only in the home. Art is no different than the rest of the world. Kazimir Malevich believed that art was for the artist, not for the viewer.

Kazimir was born in Kiev in 1878. He attended many schools for painting and drawing in his early years. He began painting in the Impressionist style before experimenting with Fauvism. Years later he became a master in the Russian art circle of cubofuturism. It was then when he introduced his theory called suprematism. His idea was non-objective art. 'Beauty is in the eye of the beholder,' not 'beauty is beauty.' Art went from landscapes and portraits to ambiguous shapes and avant-garde colors. No longer did the viewer determine what was beautiful and what was to be painted. The decision now rested firmly on the shoulders of the artist.

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Saying that art imitates life in this situation would be incorrect. Life later imitates art. If artists feel that they are not free in their line of work then what hope is there for the factory worker? Art is freedom to express and explore. But that was not happening. The artists felt trapped. Artists united fore they had nothing to lose but their easels. A new movement took place. A new style of art was formed Non-objective. It was true freedom at last. An apple doesn't necessarily have to look like and apple. People don't necessarily have to look like people. Art was finally free.

With art now free, it would not be long until others wanted the freedom as well. These paintings inspired. They evoked a feeling of freedom and meaning. No one could say concretely what was beautiful. No longer was there a right or a wrong. Later in the world this longing for freedom and meaning would manifest in life itself. The world was soon to become a freer place for the workingman.

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