Why Alfred Hitchcok's "Psycho" shook the world

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Why Alfred Hitchcock's "Psycho" shook the world

Alfred Hitchcock's "Psycho" is a film that "changed the world" first screened on 16th June, 160, in New York City, it achieved an immediate success. People queued for very many hours to see "Psycho's" first showings. Their enthusiastic word of mouth recommendations gave the film instant and positive publicity.

Alfred Hitchcock introduced new subjects into the film industry, which before "Psycho" had been avoided by filmmakers under government censorship and pressure. "Psycho" stretched many film boundaries and heavily influences today's film industry. For instance, "Psycho" used black humour so manipulating many millions who watched and continued watching "Psycho" into fear and loathing, which the horror movies that Boris Karloff starred in could not equal. Boris Karloff's mummy as a figure of fear does not begin to compare with Norman Bates. Thus "Psycho" marks a significant development in movies which entertained audiences by scaring them - and so changed the world.

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I think the fact that Norman Bates, at first sight, seems normal, unlike the old horror movies' mummies, monsters, mad scientists and vampires, makes Norman's warped cruelty seem so wrong and horrible. But, at the same time Norman's weird mentality seems to reflect aspects of today's dangerous, violent world in ways beyond the reach of the early 0th century horror movies. These films have been spoofed in the "Rocky Horror Show" and "Scary Movie" but I don't think filmmakers would find it quite so easy to spoof "Psycho". The world has not yet changed so much that filmmakers might lightly guy or ridicule Norman Bates.

"Psycho" breaks taboos since Norman's mother features as a force for evil not good her effect on his character lasts beyond death. Her corpse lies in state in a perfectly organised room. And, when Norman kills Marion Crane and Milton Abrogast he does so dressed as his mother. This frightening image of a frantic and murderous mother contrasts with wholesome comforting American mother figures that audiences expected. This feature, too, altered the world.

The dead Mrs Bates creates a frightening image of a woman controlling a male (her son Norman) even beyond the grave. I see Marion not only as an independent woman who has the courage and determination to rob her employer but also one so enterprising as to escape into the unknown with the money. In pre- "Psycho" movies men rather than women committed crime. Seeing women from this point of view represents a significant change. Ironically, I think Hitchcock intended audiences to view Mrs Bates, as she seemed in Norman's thoughts, regarding the beautiful Marion as a rival for Norman's affections. The fact that Norman does not plunder Marion's belongings, he carelessly chucks the money out, underscores the fact that Norman murdered Marion for very unusual, uncanny motives. This psychological delving not only justifies the movie's title but takes audiences into depths of the human mind not previously achieved; so, Hitchcock changed the world of movies for ever through "Psycho's" success.

Hitchcock achieved these revolutionary effects by using very clever techniques. For instance music heightens tension particularly in Norman's killing of Marion. Comparison of the effects created by this scene without sound track and with the music, produced very strong contrasts. I noticed the build up of tension in my classmates' reactions to the scene with music, compared to the much less suspenseful atmosphere when we watched the scene without the sound track. Clever camera work, especially involving mirrors such as when Marion packs her bags, examines the money in the car lot's lavatory and especially when she checks in to the Bates' Motel makes the audience imagine Marion's murder in the shower room with its savage image of flashing knives and the frenzied screaming and the thick slowly flowing blood must have made millions of stomachs sink in terror. Such intense audience reaction showed how "Psycho" changed the world.

I thoroughly enjoyed deconstructing "Psycho" particularly because such analysis made me understand reasons for my reactions as well as appreciating Alfred Hitchcock's artistry as a significant film director.

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