Analysis of Kubla Khan by Samuel Coleridge

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Analysis of "Kubla Khan" by Samuel Coleridge

"Kubla Khan, written by Samuel Coleridge in 177 and published in 1816, has represented an opportunity for many writers to study connotation within a given theme. One interesting interpretation of Coleridge's "vision in a dream" (Coleridge) is that the entire poem can be seen as an allusion to the author's own life. Connotation plays an important role in carrying out this theme.

Samuel Coleridge suffered great physical and emotional pain and was addicted to opium (Brians 8). There is present throughout this work a mystical, dreamy effect created by the use of alliteration; this effect is not unlike what one might experience during an opium dream ( http//www.drug-rehabs.org ).

Coleridge alludes to his own life throughout the poem. Using symbolism to make the allusion in the opening lines, he writes

In Xanadu did Kubla Khan

A stately pleasure-dome decree

Where Alph, the sacred river, ran

Through caverns measureless to man

Down to a sunless sea.

This stately pleasure dome represents Coleridge's mind. Alph, the sacred river, is Coleridge's poetic ability; it, like the caverns, is measureless to man.

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So twice five miles of fertile ground

With walls and towers were girdled round

And there were gardens bright with sinuous rills,

Where blossomed many an incense-bearing tree ;

And here were forests ancient as the hills,

Enfolding sunny spots of greenery.

Within the walls of his skull, Coleridge's poems (sinuous rills, incense-bearing trees) blossom and bring joy to himself and others (sunny spots of greenery).

Images of paradise are overshadowed by dark depictions of evil in the middle of the poem, demonstrating the use of antithesis by the author.

But oh ! that deep romantic chasm which slanted

Down the green hill athwart a cedarn cover !

A savage place ! as holy and enchanted

As eer beneath a waning moon was haunted

By woman wailing for her demon-lover !

And from this chasm, with ceaseless turmoil seething,

As if this earth in fast thick pants were breathing,

A mighty fountain momently was forced

Amid whose swift half-intermitted burst

Huge fragments vaulted like rebounding hail,

Or chaffy grain beneath the threshers flail

And mid these dancing rocks at once and ever

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It flung up momently the sacred river.

Five miles meandering with a mazy motion

Through wood and dale the sacred river ran,

Then reached the caverns measureless to man,

And sank in tumult to a lifeless ocean

And mid this tumult Kubla heard from far

Ancestral voices prophesying war !

This part of Kubla Khan is also an allusion to Coleridge's addiction to opium--the darkness of it overtakes him and blots out his poetic abilities.

And all should cry, Beware ! Beware !

His flashing eyes, his floating hair !

Weave a circle round him thrice,

And close your eyes with holy dread,

For he on honey-dew hath fed,

And drunk the milk of Paradise.

Here, verbal irony is exhibited. Coleridge is lamenting the fact that readers of his poem will think he is crazy--an opium addict writing about his dream--so he includes this at the end. He speaks of honey-dew, but he is referencing opium. The milk of Paradise which he has drunk is the vision he received.

Kubla Khan is a superb example of the many types of connotation used in poetry. Allusion is clearly the most important here, but alliteration and verbal irony also play an important role in carrying out the theme of this poem. This is but a brief glimpse...a fragment...of the connotation of this magnificent piece of poetry.

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Works Cited

Coleridge, Samuel Taylor. "Kubla Khan" Reprinted in Sylvan Barnett et al. An Introduction to Literature, 1th edition. New York Longman, 001. 714-715

Reading About the World, Volume , by Paul Brians. American Heritage Custom Books 1. 8-0

http//www.drug-rehabs.org/faqs/FAQ-opium.php

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