A Glimpse of A. E. Houseman's"When I was one-and-twenty"

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English 11.511

October , 00

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"When I was one-and-twenty"

In his poem When I was one-and-twenty A. E. Houseman sketches for us, in two lighthearted octaves that nevertheless carry somber and sad overtones, an emotional portrait of a flawed romantic who at "one-and-twenty" was a provincial youth refusing to heed any advice contrary to his own desire. Herein, Houseman paints with words a mixed picture, both that of a headless youth and a romantic (if not misbegotten) hero; and by such contrasts and use of literary symbols Houseman weaves for us the rueful themes of the fleetingness of love and the decay of youth, the heart of which characterizes much of his poetic work.

Ambling along to the time of an iambic, hexametric rising rhythm with a catchy extra beat on every other line, Houseman saunters along through the emotional reminiscences of an eternal voice of youth in an arrangement akin to song as much as to prose. We're obviously to take this poem and enjoy the sound of it, and the appeal to our emotions, more than to ponder over the intellectual aspects of it, though certainly they are there. There is an ironic argument between the alternate values of love and wealth in that the value of love is characterized by the comparison of the, "heart" (4) to precious, "pearls [and] rubies," (5) with the heart being held most sacred, and in comparison, precious gems worthy of nothing but being given away; yet, why would one feel obliged to give away one's wealth if it were not a concern of the heart? Trump! The, "wise" advice is trumped by the realization of it's own values. Indeed, it is as if the ironies of wisdom demand the learning of sacred truths by way of the very same experiences wisdom might have us forego. It causes one to wonder Is it wisdom that defines the value, or rather, the experience? Yet regardless of the intellectual aspect buried in Houseman's ditty, or perhaps in spite of it (where, in the end, our romantic is reminiscing, "'tis true,") the focus here is certainly not the intellect, but rather, the emotion.

Houseman's arrangement lends the poem both a certain air of nonchalance in its simple musical rhythm, and of complexity in its twisting rhyme scheme, complementing his intertwined themes of fleeting love and youths decay. The focus is invariably on love and youth where the thrice quoted, previously "one-and-twenty" (lines 1, 7 and ) romantic, now (in line 15) at "two-and-twenty" is sulking in lovelorn isolation. Houseman has merged youthful determination with the pain of heartbreak where before there had been, "No use to talk to [our romantic]," (8) because he (or she) could not listen to anything other than his/her heart, yet the price nevertheless, "[twas] paid with sighs aplenty and [his/her heart] sold for endless rue," (14). Finally, in the climax of this emotional rendition of yet, only, one rung on the ladder of wisdom, in the end (line 16), Houseman unites both into one nostalgic theme The pain and disillusionment of first heartbreak, "Oh, 'tis true,'tis true," and what a beautiful and sad song it is.

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