Regrendering of Sexes and Equal Treatment

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The word "regendering" not only suggest the enormous transformations in gender roles, division of labor, social institutions such as marriage and the family, and investigation of the self and psyche that emerge; but also the literature that was partly responsible for shaping such transformations and giving people a shared vocabulary with which to name this changes. While "sex" refers to the biological differences between the female sex and the male sex, "gender" is a cultural term, a name for the ways that culture constructs genders as identities, and how those identities are then organized. It is of the human notion of what had been taken as a "natural" difference between the sexes with women as weaker, more irrational, less intellectual, more virtuous, lacking in sexual desire, designed by nature for maturity, incapable of leadership and most public professions came to be understood as the construction of gender, a state of affairs that was not innate, reinforced by culture; having made gender, it is believe that culture could also remake it. Having read Orlando and Mannequin, a great piece of work written by Virginia Woolf and Jean Ryhs. One could trace the origin of regendering and modernism of women issues as well as gender issues to this present day society. These writers have demonstrated great concern toward "sex" and the treatment of women around the world. I hope to use these two selections in making my critical analysis about the concern of these writers and also the problem they seem to be addressing and then make a final conclusion on the solution each of them present if any.

Firstly, they are all concern about the "sexes" and sex refers to the biological differences between the male sex and the female sex. Virginia Woolf gives a more elaborate detail about the gender politics because it was becoming something else in Orlando. Orlando was about the biography of a person who would not neatly die within one historical age, who would not produce documented accomplishment and about someone who would not conform to the sanctity of sexual identity. Her most concern was invalidating the assumption of her father's time, that gender identity is fixed, and that only great men create history, that literature is the work of the male genius, and that sexual desire, failure, and silence are to be feared. She used the story of Orlando to demonstrate the fact that there is really not much difference between a male and a female except for the clothes we wear which make a unique distinction between two sexes. She also said that clothes are but a symbol of something hid the deep beneath it, and had they both worn the same clothes, it is possible that the outlook might have been the same. She added that it is a change in the human mind that dictate our choice of dress and sex although this does not make a lot of sense reading between lines, but when looked beyond it ordinary meaning, one could see that it does make sense because both sexes possesses similar character and intellect regardless of what circumstances they might be facing. Virginia stated that the difference between sexes are intermix because they possess the same power to alter their gender by simply changing their way dressing and thinking looking at what happen to the main character in Orlando. Every human vacillation from one sex to the other takes place and often it is only clothes that keep the male or female likeness while underneath the sex is the very opposite of what it is above. After reading Orlando, I notice that her main point of view concerning sex is that there is little or no difference between a male or a female species because male and female characteristic are alike although we differ from when it comes to our precision about things such as emotions.

Secondly, both writers talk about the treatment and respect for women in the labor sector of the any economy. Virginia Woolf did not write much about the treatment and respect for women but she stood for equal treatment of all the human species. Jean Rhys had a lot to say about what she felt about the treatment of women as commodity. Her writing Mannequin was her way of expressing her inner most feelings about the treatment of women when it came to exploitation of women as goods bought and then resold for profit. Mannequin talks about the destitution of a young beautiful lady who went through a tough time after the death of her father. She left her home country for a better life abroad. To this dizzying sense of homelessness and alienation from place Rhys main concern was the trenchant consideration of the effect of displacement on women whose voices are silenced and to whom cultural authority was seldom granted. In her book Mannequin, it voices precisely the vertigo experienced by a young lady name Ann. She was thrown out into the world to make her way as a fashion model, experiencing the coldness of Europe after the rich friendship of her Caribbean home, feeling the disdain of the British for her outsider status, and suffering exploitation by the men and women who treat her like commodity that is a piece of beauty property to be bought and then sold back.

Conclusively, they all seem to be addressing the same problem although from different perspectives but still with the same common goal which is disregarding sex and treating everybody the same be you male or female, that we all deserve equal treatment and fairness. As for specific solutions to this problem, none of these writers wrote something about it.Cheap University Papers on Regrendering of Sexes and Equal Treatment

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